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The Marli Hoppe-Ritter Collection
in Schwäbisch Gmünd
Antonio Calderara
(22.05.-18.09.2011)
In Focus: The 1950s to the 1970s
Works from the Marli Hoppe-Ritter Collection
Caution colour!
(10.10.2010 - 01.05.2011)
Regine Schumann - black box
(10.10.2010 - 01.05.2011)
Timm Ulrichs (08.05. - 19.09.2010)
Camille Graeser (08.05. - 19.09.2010)
Homage to the Square
(18.10.2009 - 11.04.2010)
MUSEUM RITTER on tour
(28.05.2009 - 25.06.2009)
François Morellet (17.05. - 27.09.2009)
Alighiero Boetti
(26.10.08 - 26.04.09)
Gastspiel
(26.10.08 - 26.04.09)
Bildertausch 3
(18.05.08 - 28.09.08)
Horst Bartnig
Antonio Calderara
Rita Ernst
Hans-Jörg Glattfelder
István Haász
Dóra Maurer
Manfred Mohr
Vera Molnar
Jürgen Paas
Peter Weber
Geneviève Claisse
(28.10.2007 - 20.04.08)
Werner Bauer
(18.05.08 - 28.09.08)
Bildertausch 2
(06.05. - 30.09.2007)
New Friends
(28.10.07 - 20.04.08)
George Pusenkoff
(06.05. - 30.09.2007)
Bewegung im Quadrat
(22.10.2006 - 15.04.2007)
Marcello Morandini
(21.05. - 03.10.2006)
Bildertausch 1
(21.05. - 03.10.2006)
SQUARE
(18.09.2005 - 23.04.2006)
Peter Weber
Peter Weber “manages to employ a wide variety of folding procedures to create three-dimensional objects from a whole …that challenge our powers of imagination to an extraordinary degree”.
Eugen Gomringer

Peter Weber has worked since the middle of the 1990s exclusively with “Foldings”, using materials such as paper, cotton, felt, the synthetic material HDPE, and even stainless steel. This has established a completely unique position for him in the field of concrete art. Time and again his geometrically interwoven and cunningly entwined objects fascinate and astonish the viewer as he or she attempts to penetrate their mysteries and divine the way in which they have been created from a single piece of material. With the process of folding, Peter Weber has found a medium in which the visual idea, the process of realising it and the material itself are so closely linked that the works have a very holistic character to them.

Essentially a Folding is nothing more than a transformation of an initially flat surface into a relief-like visual structure that extends out into space. The physicality that is created in this way is most apparent in Peter Weber’s compressed and somewhat weighty looking felt objects, while being of almost no consequence in the works done in paper or cotton. The creation of a folded object always adheres to certain constructive rules that the artist lays down exactly beforehand, and first tries out by means of paper models. The folded visual systems are moreover the product of a processual approach and harbour the possibility of allowing further change. The importance that Peter Weber attaches to this ability for change as a constitutional part of his folded pieces is particularly evident in his serial works, which demonstrate a visual concept in a number of variations.
Biography
1939 Born in Kollmar/Elbe, lives and works in Munich
1958 Studied in the design department at the Fachhochschule Hamburg, awarded his diploma as a graphic artist
1963 involvement in concrete art, bass player in numerous jazz ensembles
1977 Taught in Hamburg in the field of art education
1987 Taught at the design department at the Fachhochschule Hamburg
1990 Developed folding techniques and systems using canvas as his medium
1996 Foldings in synthetic materials and stainless steel
2001 Foldings in felt