Museum Ritter Museum Ritter
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Homage to the Square
(18.October 2009 - 11. April 2010)
François Morellet (17.05. - 27.09.2009)
MUSEUM RITTER on tour
(28. May 2009 - 25. June 2009)
Gastspiel
(26.10.08 - 26.04.09)
Alighiero Boetti
(26.10.08 - 26.04.09)
Werner Bauer
(18.05.08 - 28.09.08)
Bildertausch 3
(18.05.08 - 28.09.08)
New Friends
(28.10.07 - 20.04.08)
David Shrigley
vita David Shrigley
Inge Gutbrod
vita Inge Gutbrod
Sinisa Kandic
vita Sinisa Kandic
Stefanie Lampert
vita Stefanie Lampert
Eva-Maria Reiner
vita Eva-Maria Reiner
Michael Reiter
vita Michael Reiter
Silvia Wille
vita Silvia Wille
So-Ah Yim
vita So-Ah Yim
Beat Zoderer
vita Beat Zoderer
Geneviève Claisse
(28.10.2007 - 20.04.08)
Bildertausch 2
(06.05. - 30.09.2007)
George Pusenkoff
(06.05. - 30.09.2007)
Bewegung im Quadrat
(22.10.2006 - 15.04.2007)
Marcello Morandini
(21.05. - 03.10.2006)
Bildertausch 1
(21.05. - 03.10.2006)
SQUARE
(18.09.2005 - 23.04.2006)
Silvia Wille:

picture left: Das Eine ergibt das Andere, 2007
(c) Silvia Wille   
plastic,metal, 500 x 200 cm
 
further works in the exhibition:

Die Widerspenstige, 2007 (c) Siliva Wille
plastic elements, nylon socking, 33 x 22 x 25 cm

Gedicht, 2006 (c) Silvia Wille
metal wire, palctic washers, 75 x 100 x 30 cm

Virtuelle Datenpakete, 2004 (c) Silvia Wille
folder clamps, 14 elements, each 15 x 10 x 7 cm

Soft Landing, 2003 (c) Silvia Wille
plastic, 50 x 50 x 15cm
The work of Silvia Wille is concerned with the union of different forms. In her large-scale piece produced specially for the museum space, »One Thing Leads to the Next«, the artist succeeds in combining the monumental with levity and the geometrical with the organic. Cable ties are the programmatic material for a sculpture that extends five metres up to the ceiling. Using thousands of small individual pieces, she has threaded together a complex and almost alive configuration that seems to be growing out of a skeletal cube. Silvia Wille makes art from plastic. She uses only utility items made of this material, which she frees of their everyday functions and gives a new definition in her sculptures. Thus apart from cable ties she has used washers or buttons, which she arranges with wires to produce fragile wall sculptures. The artist, who lives in Mannheim, finds this cheap disposable material ideal for highlighting social or political issues and for characterizing our fast-moving times.
 
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