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| Spatial Installation by Filderbahnfreundemöhringen FFM: (Arbeit)2, 2008 |
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Everyone who has followed the development of the three Stuttgart artists Michelin Kober, Daniel Mijic and Daniel Sigloch in the last few years will recognise their methods – which include: conceptual underpinnings, a fitting portion of humour and self irony, interest in unusual encounters, as well as an anarchic joy in experimentation and the absurd. Actions like “Perlen vor die Säue” [= Pearls before Swine], in which three pigs were given a sumptuous meal in a gallery space done up like a swanky dining room, or “Made in Germany”, in which a number of maggots ate their way through a lump of streaky bacon in which the word “Germany” had been incised, have gained the young Stuttgart artists collective a lot of public attention. Their artistic ideas often produce bewilderment in their audiences, as may their concept for this exhibition.
The critical appraisal of the Marli Hoppe-Ritter Collection becomes an active, open process which is set in motion by the artists, and in which the collector, the collection and staff at the Ritter-Sport company are all involved. Marli Hoppe-Ritter has been requested by the artists to open up parts of her treasure trove and allow the staff at Ritter-Sport to profit. Sixteen (museum) pieces – by renowned artists such as Erich Hauser, Hans-Peter Adamski, Werner Pokorny and Rolf-Gunter Dienst – will wander for six months into sixteen private homes. While the originals are on the staff members’ walls, the newly created exhibition contexts are presented in the museum in the form of photographs showcasing the new proud owners.
Excerpt from catalogue texts by Petra von Olschowski and Gerda Ridler
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Works in the exibition:
All works Courtesy Galerie Michael Sturm, Stuttgart
Volker Wörn (Ausbildung Produktion)
with Hans-Peter Adamski »Love (Blau-Grün)«, 1997
Andrea Schreiber (Produktion-Massiv)
with Hans-Peter Adamski »Nicht Ruhe geben,
bevor die Erde quadratisch ist«, 1999
Christa Henning (Produktion-Massiv 1)
with Erwin Bechtold »68/2«, 1968
Ernst Tritt (Elektrotechnik)
with Hellmut Bruch »Die goldenen vier Punkte«, 2002 |
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Esperanca Bernado (Kundenservicelager)
with Roberto Caracciolo »Kleine Arbeit A+B« o. J.
Georg Hoffmann (Sicherheitsingenieur)
with Isa Dahl »o. T.«, 1998
Egon Weiß (Produktion-Ri-Rum)
with Rolf-Gunter Dienst »Scaramouche VII«, 2001
Hans-Jörg Gerber (Elektrotechnik)
with Hajo Hangen »o. T.«, o. J
Reiner Hiller (Elektrotechnik)
with Erich Hauser »(19/1981)«, 1981
Eberhard Pfeifer (Personaleinsatzplanung)
with Werner Pokorny »Offenes Quadrat«, 1982
Mata Kovacevic (Produktion-Hohl 2)
with George Pusenkoff »Mona Lisa«, 1996
Ingeborg Hänel (Produktion-Ri-Rum)
with Jochen Twelker »Tote tragen keine Karos«, 1996
Tibor Lutz (Wartung/Energie)
with Magnus von Stetten »o. T.«, 2006
Heike Pitzer (Vorarbeiterin-H 4)
with Peter Weber »Aus dem 2/ Schnitt«, 1998/2002
Elisabeth Stradinger (Retourenlager)
with Birgitta Weimer »M-Space 24«, 2002
Durmus Yilmaz (Produktion-Hohl )
with Ludwig Wilding »Bild mit Scheinbewegung diagonal, PS 8c«, 1971
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